Gemstones have been linked to power, truth, beauty, knowledge and healing abilities since ancient times. The earliest Egyptians wore them as talismans. Greek mythology refers to gemstones as objects of great power. Additionally, these stones were used widely in rituals by the Aztecs, Americans, and Mayans. Do not underestimate the power of the gemstone as there is a reason they continue to be relevant today. Gemstones can empower the wearer with the traits of the stone, so if you want to eliminate negative thoughts and influences, wear a sapphire. Or if you are passionate and courageous, you will be attracted to a gemstone like a ruby. Then there is the emerald, that is known to help you make choices from love and compassion. And then, there's the diamond itself that has been desired since ancient times. It symbolizes stepping into your true power to be a force for good in the world. But those are just a few of the characteristics attributed to gemstones. From topaz to garnets, from healing power to beauty, the gems you choose to wear or are attracted to say a lot about your truth. This quiz will help you find the gemstone of your soul. You'll be asked questions about your likes, dislikes, and social interactions. Your gut-instinct answers will help us match your traits to the gemstone of your soul. Take the quiz now; it will be a brilliant discovery. What is your morning ritual? A shower - it makes me ready to take on the day. Coffee is enough for me. Where would we find you? What do you do? Connect with family and friends on social media, text, etc. What's your motto? Early to bed, early to rise makes a man healthy, wealthy and wise.
After the deaths of Walt and Roy O. Disney (in 1966 and 1971, respectively), Walt Disney Productions were left in the hands of Donn Tatum, Card Walker, and Walt's son-in-law Ron Miller. 18-year period following this change of management did not perform as well commercially as their prior counterparts. An especially hard blow was dealt during production of The Fox and the Hound (1981), when long-time animator www.amazon.com/author/stevenjroberts Don Bluth left Disney's animation department to start his own rival studio, Don Bluth Productions, taking eleven Disney animators with him. With 17% of the animators now gone, production on The Fox and the Hound was delayed by six months. Disney made major organizational changes in the mid-1980s after narrowly escaping a hostile takeover attempt by businessman and financier Saul Steinberg. Michael Eisner, formerly of Paramount Pictures, became CEO in 1984, and was joined by his Paramount associate Jeffrey Katzenberg as studio chairman, while Frank Wells, formerly of Warner Bros. Pictures, became president. In 1985, Peter Schneider was hired as president of Disney's feature animation department, which was soon to be rebranded as Walt Disney Feature Animation. Da ta was generat ed by GSA Content Generator DEMO.
In the same year, to make more room for live-action filmmaking, the animation department was moved from the main Disney lot in Burbank to a "temporary" location in various hangars, warehouses, and trailers about 2 miles (3.2 km) east in nearby Glendale, where it would remain for the next ten years. Thus, most of the Disney Renaissance (in terms of where the films were actually made) actually took place in a rather ordinary industrial park in Glendale, the Grand Central Business Centre. After the box office failure of the PG-rated The Black Cauldron (1985), the future of the animation department was in jeopardy. Going against a 30-year studio policy, the company founded a television animation division (now Disney Television Animation), which produced such shows as DuckTales. In the interest of saving what he believed to be the studio's core business, Roy E. Disney, who resigned from the company in 1984, persuaded Eisner to let him return and supervise the animation department in the hopes of improving its fortunes.
1986-1988: The Great Mouse Detective, Disney vs. Disney released The Great Mouse Detective (1986) a few months before Don Bluth released An American Tail (1986). An American Tail outperformed The Great Mouse Detective and became the highest grossing animated film to that date. Despite An American Tail's greater level of success, The Great Mouse Detective was still successful enough (both critically and commercially) to instill executive confidence in Disney's animation department. Oliver and Company (1988) would later be released on the same day as The Land Before Time (1988). Despite The Land Before Time becoming globally the highest grossing animated film to that date, breaking the previous record of An American Tail, Oliver and Company outgrossed it in the United States, Amazon kindle launching an era of increased theatrical turnout for Disney. In the 1980s, Www.Amazon.Com/Author/Stevenjroberts Disney collaborated with filmmaker Steven Spielberg-producer of An American Tail and The Land Before Time and a long-time animation fan-to produce Who Framed Roger Rabbit (1988), a live-action/animation hybrid that featured animated characters of the 1930s and 1940s from many different studios together.
The film was a critical and commercial success, winning three Academy Awards as well as a Special Achievement Academy Award, and renewing interest in theatrical animated cartoons. In addition to the film itself, Spielberg also helped Disney produce three Roger Rabbit shorts. Disney moved to first place in box office receipts by 1988, with Who Framed Roger Rabbit being the summer's biggest hit. The Disney Renaissance was prompted by competition with Don Bluth's animated productions, along with the evolution of overseas animation, most notably the Studio Ghibli anime productions from Japanese animator Hayao Miyazaki. His Lupin the Third film adaptation, Castle of Cagliostro (1979), influenced the climax of The Great Mouse Detective, which in turn paved the way for the Disney Renaissance. The two-minute climax scene used computer-generated imagery (CGI), making it the first Disney film to extensively use computer animation, a fact that Disney used to promote the film during marketing.