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In 1978 Christina Crawford shocked the world with the first inform-all superstar memoir, wherein she uncovered her Hollywood filmstar mom Joan as a merciless, abusive alcoholic. Thirty years on, and about to reissue her explosive e-book with new materials, she offers her first interview in a decade. However why this compulsion to return to her painful previous - particularly when so many people don’t consider her? Christina Crawford was 13 when she stopped believing her mother loved her. It was a young age at which to return to such a startling conclusion, to have one’s perception within the benignity of the world so profoundly altered. But it was at this age that she remembers her mom grabbed her by the throat, punched her within the face and slammed her head towards the floor. ‘You always remember that,’ Christina says now, fifty five years later. ‘It was up close and personal.

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It was a facet of her mom that no one else ever noticed. To the wider public, Christina’s mother was not the abusive mum or dad, prone to uncontrolled bouts of fury. She was not the alcoholic, given to occasional bursts of sporadic violence. She was not the tyrannical harpy who apparently let rip behind closed doorways. To everybody else she was merely Joan Crawford, Hollywood movie star. At the height of her fame in the 1940s, Crawford had a considerable reputation to uphold. She was one in every of the original studio ingenues, an actress who overcame an impoverished childhood to turn into considered one of the highest-paid ladies within the business. Over a career spanning five many years, she starred alongside Clark Gable in Possessed, Bette Davis in What Ever Occurred to Baby Jane? 1945 Finest Actress Academy Award for the title position in Mildred Pierce. She lived in a sprawling home in Brentwood, Los Angeles and used her wealth to undertake and raise four kids, together with Christina, an act a lot lauded in extensive magazine spreads about her happy household life.


But to Christina, the public picture was a gilded lie. ‘It was the hypocrisy of it that was so tough,’ she says. ‘People fantasised about who or what I was; that I had this privileged, wealthy, film-star family life. A yr after her mother’s loss of life of a coronary heart assault - aged 69, seventy two or 73, in accordance with which birth date you believe - Christina’s frustration at the discrepancy between her mother’s non-public existence and her public status bubbled over. In 1978 she printed Mommie Dearest, a blistering autobiography that portrayed Joan Crawford as a sadistic perfectionist, an alcoholic susceptible to unpredictable squalls of maternal fury who would punish the mildest misdemeanours with disproportionate power. It was the primary tell-all celeb memoir, the primary book to talk so openly or with such clarity a few childhood allegedly punctuated by psychological and bodily abuse. It brought on a sensation, left an indelible imprint on the cultural consciousness and stayed at the top of the brand new York Instances bestseller list for 42 weeks.


Within the years that adopted the youngsters of Bette Davis and Bing Crosby wrote equally excoriating parental memoirs, and the 1981 film adaptation starring Faye Dunaway grew to become a cult hit. Joan Crawford’s status took a battering so ferocious that it has never totally recovered. To this day most people associate her with an notorious scene in both the e-book and the movie by which she launches into a vicious tirade after discovering Christina’s dresses hung on wire clothes hangers. ‘No wire hangers!’ entered the vernacular as shorthand shoes for neurotic maternal instability. On another occasion Christina recalls her mother dragging her from mattress in the course of the night, aged 9, to beat her over the top with a can of scouring powder for leaving cleaning soap streaks on a bathroom flooring. Now, 30 years after publishing Mommie Dearest, Christina Crawford is reissuing the e-book with a brand new introduction and afterword, supporting testimonies from contemporaries and more than a hundred pages and photographs that were minimize from the 1978 edition.

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