It turns into fairly clear that that is what's occurring from a long way before the end so it's difficult to say that the ending itself is disappointing. Nakiami will sleep for a thousand years within the Quickening Chamber, you say? Between covid telling me my life could be shorter than I hoped, and the Supreme Court deciding my life doesn't matter so long as I breed - I really feel like one of the best rebellion is simply having fun with my pointless short life." --Medus4 "We can milk this thing all the strategy to 2015. There's loads to go around." --Samuel Visner, former gross sales executive, SAIC, on 9/11 "You are not the A-Team." --Opti "Probably the most highly effective weapon that will ever exist among people is simple: Take heed to the young adults in your adversary's society. Xam'd also incorporates the extra adult worldview and mature characterisation that makes facets of other Bones shows so attention-grabbing, AnimePorn and AnimePorn is by far the best thing I've seen out of the studio.
"I’m not going anywhere near that factor. Characters are pressured into either passive, observational roles, or heroic, superhuman roles, each of which distance the viewers emotionally from what's going on. Simoun has a really highly effective ending, where every character reaches a conclusion that is probably not what the audience needed, but which has clear roots in the best way their personalities, motivations and character improvement have been arrange earlier within the collection. What made the early episodes so refreshing and believable was the best way the characters' personalities had been shown up by their interaction with the circumstances through which they found themselves, and so long as those circumstances were tangible things that the viewers could relate to, there was a satisfying sense of solidity to them. An interesting comparability is with Simoun, which is just like Xam'd in the way the battle is used primarily as a setting against which the character drama performs out.
In both cases the cause of the war is not deeply explored, and in both cases, the series ends realistically with the risk of conflict an ongoing challenge. Rather than systematically growing all the various story threads after which tying them back together right into a satisfying, unifying conclusion, Xam'd's plot, from about half manner through the series, disintegrates into a collection of scattershot story concepts and visible concepts that rain down, disconnected, like items of torn paper dropped from an open window. By the use of distinction, in Simoun Neviril and Aer's remaining departure to the "other world" is extra emotionally highly effective for its simplicity.
Both shows have elements of their endings that are enigmatic, however Simoun ensures that every of those parts is charged with a strong, clear emotional resonance which again has its roots in how the characters have been set up. That actually doesn’t imply that it's important to enjoy the sport, but it a minimum of warrants a bit of respect for the trials that its developers (and even its publisher, to an extent) needed to endure. Any type of mechanism or psuedoscience would have difficult and detracted from the emotional energy of that ending, and by retaining its grounding in the recognisable physical actuality of these characters left behind it never steps off the precipice into the spiral of hippy. As the end approached and extra abstract issues such as the Hiruken Emperor and the Quickening Chamber turned extra central to the story, that solidity started to dissolve and the story became caught up in what I call "the spiral of hippy".