It turns into pretty clear that this is what's happening from a great distance earlier than the end so it's tough to say that the ending itself is disappointing. Nakiami will sleep for AnimePorn a thousand AnimePorn years in the Quickening Chamber, you say? Between covid telling me my life is likely to be shorter than I hoped, and the Supreme Court deciding my life doesn't matter so long as I breed - I feel like the perfect rebellion is just enjoying my pointless quick life." --Medus4 "We will milk this thing all the option to 2015. There's lots to go around." --Samuel Visner, former sales executive, SAIC, on 9/11 "You aren't the A-Team." --Opti "Probably the most powerful weapon that can ever exist amongst humans is simple: Listen to the younger adults in your adversary's society. Xam'd additionally contains the extra adult worldview and mature characterisation that makes facets of different Bones exhibits so fascinating, and is by far the smartest thing I've seen out of the studio.
"I’m not going anywhere close to that thing. Characters are compelled into both passive, observational roles, or heroic, superhuman roles, both of which distance the audience emotionally from what is going on. Simoun has a really powerful ending, the place each character reaches a conclusion that will not be what the audience wanted, but which has clear roots in the way their personalities, motivations and character improvement have been arrange earlier within the collection. What made the early episodes so refreshing and believable was the best way the characters' personalities have been shown up through their interaction with the circumstances through which they discovered themselves, and as long as those circumstances had been tangible things that the viewers might relate to, there was a satisfying sense of solidity to them. An interesting comparison is with Simoun, which is much like Xam'd in the best way the struggle is used primarily as a setting in opposition to which the character drama performs out.
In each cases the cause of the warfare is not deeply explored, and in both instances, the sequence ends realistically with the threat of conflict an ongoing issue. Rather than systematically growing all the various story threads and then tying them back together right into a satisfying, unifying conclusion, Xam'd's plot, from about half approach by the collection, disintegrates into a collection of scattershot story ideas and visual concepts that rain down, disconnected, like items of torn paper dropped from an open window. By the use of contrast, in Simoun Neviril and Aer's closing departure to the "other world" is more emotionally powerful for its simplicity.
Both reveals have components of their endings which can be enigmatic, however Simoun ensures that every of those components is charged with a robust, clear emotional resonance which once more has its roots in how the characters have been set up. That definitely doesn’t imply that you need to get pleasure from the sport, nevertheless it not less than warrants a bit of respect for the trials that its builders (and even its writer, to an extent) needed to endure. Any sort of mechanism or psuedoscience would have sophisticated and detracted from the emotional energy of that ending, and by retaining its grounding within the recognisable bodily reality of these characters left behind it never steps off the precipice into the spiral of hippy. As the top approached and extra summary issues such because the Hiruken Emperor and the Quickening Chamber turned more central to the story, that solidity began to dissolve and the story grew to become caught up in what I call "the spiral of hippy".