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Kim Kardashian donated $3,000 to a mother of four asking for donations to stop her family from losing their home. Angelia Cantrell, the mother of triplet boys and a daughter, shared in her GoFundMe page that her husband died from COVID and she lost her job as a result of pandemic layoffs. "Throughout, this time, unfortunately our bills have fallen behind, after only being able to make the minimum payments," Cantrell posted on the campaign page. The donations list reveals that "Kim Kardashian West" gave Cantrell $3,000, and multiple sources confirm to Page Six that the donation was, in fact, the KKW Beauty founder. We’re also told the former "Keeping Up With the Kardashians" star didn’t mean to post her name on the page. "Kim did donate. She meant to do it anonymously and she gave the full amount the mother was asking for when she posted it, which was $3,000," one of our sources shared. Reps for Kardashian, 40, didn’t immediately return Page Six’s request for comment. In March 2020, Kim’s SKIMS announced it would donate $1 million to families affected by COVID-19 to better help mothers and children in need. In December of that same year, Kim pledged to donate $500 to 1,000 lucky people. "Hey guys! It’s the most wonderful time of the year," Kardashian, 40, tweeted in a statement at the time. This conte nt was c re ated by GSA C ontent Gene rato r ​DE MO !


William Wyler's Roman Holiday crosses the postcard genre with a hardy trope: Old World royalty seeks escape from stuffy, ritual-bound, lives for a fling with the modern world, especially with Americans. "And Introducing Audrey Hepburn". With that credit, William Wyler‘s Roman Holiday set off a special bombshell in the world of Hollywood stardom, one that announced a major film personality and instantly showered her with an Oscar, a BAFTA, shoedrop.shop a Golden Globe, and a New York Film Critics Circle Award. On this side of the Audrey legend, nearly 70 years later, we can perceive that the hubbub was justified. As issued on Blu-ray in a remastered 4K transfer for the Paramount Presents line, the film is clearly a showcase for two elements of grace, class, and beauty: Amazon Fashion Deals Hepburn and Rome. Aside from introducing Hepburn, the credits declare proudly that the film was entirely shot and recorded in Rome. This sign of Hollywood’s postwar internationalism also signals a revolution in travel brought about by a burgeoning airline industry, which began promoting the possibility of far-flung vacations to middle-class Americans.


Hollywood created many tourist or vacation movies, as it was still cheaper for most audiences to travel by cinema. Jean Negulesco‘s Three Coins in the Fountain (1954) and David Lean‘s Summertime (1955) were both shot in Italy soon after Roman Holiday, this time in glorious Technicolor. There were even films implying that pilots and stewardesses (today called flight attendants) lived a glamorous life among the "jet set". Roman Holiday crosses this new postcard genre with a hardy trope: classicalmusicmp3freedownload.com the idea of Old World royalty who seek to escape their stuffy, ritual-bound, politically threatened life for a fling with the modern world, the New World, and especially Americans. This kind of fairy tale had been told in such charmers as Norman Krasna’s Princess O’Rourke (1943) with Olivia de Havilland and Robert Cummings, and Richard Thorpe’s Her Highness and the Bellboy (1945), with Hedy Lamarr and Robert Walker. Roman Holiday feels like the set-up of Princess O’Rourke combined with the resolution of Her Highness and the Bellboy. Da ta was cre at ed  by GSA C​on tent Gen erat᠎or DE MO!


Those earlier films were set in America during wartime, and it was explained that the royal women were living in New York because things weren’t safe in their European countries. Roman Holiday is set firmly in a safe postwar world where the life of Princess Ann (Hepburn), of an unnamed country, is threatened only by the boring diplomatic constrictions of her title. She’s presented in a fabulous setting, wearing a fabulous ballgown, standing in high heels for what seems like hours greeting dignitaries from many nations, whom she tends to salute in their own languages like a well-bred performing robot. What’s going on "inside" her is presented by glimpses of concealed feet within the floor-length skirt, as she slips off her right shoe and massages one foot against the other. This action leads to a mini-drama when she finds herself unable to slip the shoe back on her foot in time to sit down. If this shoe business reminds the viewer of Cinderella, it’s no accident.

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