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During the course of a prolific profession, Denise Levertov created a highly regarded physique of poetry that reflected her beliefs as an artist and a humanist. Her work embraced a large number of genres and themes, together with nature lyrics, love poems, protest poetry, and poetry impressed by her faith in God. "Dignity, reverence, and energy are words that come to mind as one gropes to characterize … America’s most respected poets," wrote Amy Gerstler within the Los Angeles Times Book Review, adding that Levertov possessed "a clear uncluttered voice-a voice dedicated to acute remark and engagement with the earthly, in all its attendant magnificence, mystery and ache." Levertov was born in England and got here to the United States in 1948; during her lifetime she was associated with Black Mountain poets similar to Robert Duncan and Robert Creeley. Invested within the organic, open-form procedures of William Carlos Williams, Levertov’s physique of quietly passionate poems, attuned to mystic insights and mapping quests for harmony, turned darker and extra political within the 1960s in consequence of non-public loss and her political activism towards the Vietnam War.


Levertov was born and raised in Ilford in Essex, England. Levertov and her older sister, Olga, were educated by their Welsh mom, Beatrice Adelaide Spooner-Jones, at dwelling. The girls further acquired sporadic religious coaching from their father, Paul Philip Levertoff, a Russian Jew who converted to Christianity and subsequently moved to England and grew to become an Anglican minister. Because Levertov never received a formal training, her earliest literary influences could be traced to her residence life. Robert Browning‘s, made to order. Her mom learn aloud to the household the great works of nineteenth-century fiction, and she read poetry, especially the lyrics of Tennyson. … Her father, a prolific writer in Hebrew, Russian, German, and English, used to purchase secondhand books by the lot to acquire particular volumes. Levertov grew up surrounded by books and people talking about them in lots of languages." Levertov’s lack of formal schooling has been alleged to result in verse that's persistently clear, exact, and accessible.


Levertov had confidence in her poetic talents from the start, and a number of other well-respected literary figures believed in her skills as nicely. Gould recorded Levertov’s "temerity" at the age of 12 when she sent several of her poems on to T.S. Eliot: "She obtained a two-page typewritten letter from him, providing her ‘excellent recommendation.’ … His letter gave her renewed impetus for making poems and sending them out." Other early supporters included critic Herbert Read, editor Charles Wrey Gardiner, and Kenneth Rexroth. When Levertov had her first poem printed in Poetry Quarterly in 1940, Rexroth professed: "In no time in any respect Herbert Read, Tambimutti, Charles Wrey Gardiner, and incidentally myself, were all in excited correspondence about her. She was the child of the brand new Romanticism. During World War II, Levertov pursued nurse’s training and spent three years as a civilian nurse at several hospitals in the London space, during which time she continued to jot down poetry. Her first guide of poems, The Double Image (1946), was revealed just after the struggle.

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